Gabe Quiroga

I specialize in multi-camera commercial productions, high-end branded content and similar projects where sound quality and professionalism are non-negotiable. Clients hire me because they want great sound without having to think about it. I handle everything: gear, crew coordination, location scouting, logistics, and delivery, so you can focus on everything else.

I've worked with clients including Google, ABC News, The Walt Disney Company, Vogue, Rolling Stone, MTV, Paramount, Revlon, HBO, and NBC Universal.

If you have a project, reach out and we'll see if it's a fit.

I work with Sound Devices mixers, Lectrosonics wireless systems, and DPA microphones in bag or cart configurations depending on your production needs. All setups include timecode sync.

Whether you're shooting on location or in a multi-camera studio environment, I'll spec the right package for your shoot. Common add-ons include additional wireless lavs, boom mics, and Comtek/IFB monitoring for clients and crew.

Want specifics? Let's talk through your setup.

Start by reaching out via the contact form on my site. We'll discuss your project requirements and agree on a rate for labor and gear. Once we're aligned, I'll send a deal memo outlining the terms, and your dates are confirmed.

Additional gear needs can be added to the invoice as they come up during prep.

I work with advertising agencies, production companies, and branded content teams producing high-end commercial work. Clients include Google, ABC News, Disney, Vogue, Rolling Stone, MTV, Paramount, Revlon, HBO, and NBC Universal.

I work best on projects with the budget and schedule to do sound right. If you're working with a very tight budget or a skeleton crew, I may not be the best match but I'm happy to recommend other mixers who specialize in leaner productions.

I bring over 10 years of on-set experience across commercials, branded content, and narrative work. I understand how sound fits into every other department on set, which means I can anticipate problems before them happen and solve them without slowing you down.

I also have a degree in audio engineering so I understand sound at a fundamental level, not just how to use the gear, but why it works the way it does. That technical foundation means I can troubleshoot issues other mixers might not even notice.

Yes. I keep backups of all recordings for 10 years. Hard drives fail, files get lost. It happens. You can rest easy knowing there's a secure backup if you ever need it.

I accept payment via:

• Direct deposit (ACH)
• Zelle
• Check
• Cash

Invoices are sent after the project wraps (or weekly for multi-week shoots), with payment due within 30 days (NET 30).

Every project is different. Scope, size, and shoot days all factor in. My day rate starts at $1,000 for a 10-hour day, plus $600 for a standard package (mixer, boom, 2 wireless lavs, and timecode). Based on your brief, we'll determine what additional gear or audio crew you need and reflect that in the estimate.

Absolutely. Use the contact form to get in touch, and we'll set up a time to talk through your project.

Yes. I've worked in challenging environments from rooftops to moving vehicles, tight locations, active factories, and the middle of the woods. I'm equipped to adapt. If you have a unique setup or logistical challenge, let's talk through it.

Cancellations:

• 48+ hours notice: No charge
• 24–48 hours notice: 50% of quoted rate
• Less than 24 hours notice: Full rate

This applies to both labor and gear rental.

Yes. I work with a trusted pool of boom operators and A2s and can scale audio crew based on your production size.

Yes. I have a car and regularly work throughout the tri-state area. I'm also available for travel anywhere in the world — I have an active passport and can build a custom gear package for international productions.

Travel days and expenses are billed separately.